Lost in Berlin

Photographer: Tabitha Odutayo, Ellie Quinn

Assistant Photographer: Tom Baker

MUA and Creative Director: Lucy Colbourne

Hair Stylist: Alicia Larner

Stylist: Ellie Quinn

Art Director: Tabitha Odutayo

Model: Ffion Fox

This shoot looks at two synonymous sides of the clubbing scene: the 80s fetish scene in New York and the Berlin underground clubbing scene. Both came through a place of self-expression. The 80s fetish scene arose after the AIDs epidemic when many sex places shut down, whilst the Berlin clubbing scene began to become more popular among party-hungry Berliners. This shoot aimed to capture this precisely through texture, story and fashion. This shoot is exclusively featured on Roll Up magazine.

The Story

After researching the background of the shoot, I decided on 3 distinct concepts that I wanted to represent visually for the editorial. The use of latex was very prominent along with the fetishisation of different sex plays and the illegality that came from this. Therefore I thought that the keywords that we should aim to represent were: latex, fetish and illegality.

Like all my editorials, I aim to tell a story with the theme at hand, therefore I split the shoot into two parts that would encapsulate the keywords in a way that was easily consumable for the viewer. You can see these looks and setups spread throughout the final images.

Lock me up: The use of chains, rope and locks to imitate a prison gate. The idea of this came from the musical “Chicago”, the sex appeal from women imprisoned as a result of their crimes wronged by men, yet the beauty of this set was quite striking that I wanted to replicate this as a fashion statement. In addition, I thought about referring to the keywords “fetish” and “illegality”, and how bondage play was a big part of the New York fetish scene. These all came across in a slightly suggestive manner, one of which could be open to interpretation.

Look at me: This pushes for sex appeal even further with close-up shots, full body shots and sensuality. Incorporating colour into the mix, I went for a deep red velvet for passion. In this case, the model was to be perceived. Here, you had a lot more personality from the model in terms of form, shape and manner.

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